Tuesday, November 22, 2011

Deep Water

Daybreak: The Complete Series

Box of 10 Acolyte Submersible Floralyte White - On Sale Now!

  • Re-usable, waterproof, wireless submersible LED lights available in 10 colors.
  • Lights are about 1.25 inches in diameter by about 0.75 inches high.
  • Each light uses two CR-2032 batteries (included) and lasts approx. 48 hours.
  • Perfect for lighting up vases and any water filled table centerpiece.
  • Submersible Floralytes can be used for costumes, masks, place settings, art lighting, interior desig
A tension soaked stalk and chase thriller. In their senior year of high school, James and Mark find a way to stop being the victim, they’re going to kill their nemesis… That is when they stumble upon the serial killer who will do the killing for them. The chase of their lives begins into graves of the killer’s victims…Stills from Acolytes (Click for larger image)

!








A collection of eighty all new poems, Acolytes is distinctly Nikki Giovanni, but different. Not softened, but more inspired by love, celebration, memories and even nostalgia. She aims her intimate and sparing words at family and friends, the deaths of heroes and friends, favorite meals and candy, nature, libraries, and theatre. But in between, the deep and edgy conscience that has defined her for decades shines through when she writes about Rosa Parks, hurricane Katrina, and Emmett Till's disappearance, leaving no doubt that Nikki has not traded one approach for another, but simply made room for both.

A collection of eighty all new poems, Acolytes is distinctly Nikki Giovanni, but different. Not softened, but more inspired by love, cele! bration, memories and even nostalgia. She aims her intimate and sparing words at family and friends, the deaths of heroes and friends, favorite meals and candy, nature, libraries, and theatre. But in between, the deep and edgy conscience that has defined her for decades shines through when she writes about Rosa Parks, hurricane Katrina, and Emmett Till's disappearance, leaving no doubt that Nikki has not traded one approach for another, but simply made room for both.

A collection of eighty all new poems, Acolytes is distinctly Nikki Giovanni, but different. Not softened, but more inspired by love, celebration, memories and even nostalgia. She aims her intimate and sparing words at family and friends, the deaths of heroes and friends, favorite meals and candy, nature, libraries, and theatre. But in between, the deep and edgy conscience that has defined her for decades shines through when she writes about Rosa Parks, hurricane Katrina, and Emmett Till's disappear! ance, leaving no doubt that Nikki has not traded one approach ! for anot her, but simply made room for both.



Submersible Floralytes are great for water-filled vases, ice sculptures, table decor, and can also be used in votive cups as mini tea lights.

The End of Days: Armageddon and Prophecies of the Return (The Earth Chronicles)

  • ISBN13: 9780061239212
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
WHEN A BURNED-OUT FORMER NEW YORK CITY COP NAMED JERICHO THWARTSA HIT ON A MYSTERIOUS AND FOREBODING STRANGER, ALL HELL BREAKSLOOSE. WHILE INVESTIGATING THE CRIME, HE FINDS HIMSELF THERELUCTANT SAVIOUR OF THE BEAUTIFUL AND TERRIFIED CHRISTINE YORK,WHOSE DESTINY INVOLVES DEATH, THE DEVIL AND THE FATE OF MANKIND.After a two-year hiatus that included recovery from heart surgery, Arnold Schwarzenegger returned to the big screen in November 1999 with End of Days, a Thanksgiving turkey if ever there was one. Overcooked and bloated with stuffing, this ludicrous thriller attached itself to the end-of-the-millennium furor that kicked in a year too early. A prologue begins in 1979 with panic in the Vatica! n when a comet signals the birth of a child who will, 20 years later, become the chosen bride of Satan, destined to conceive the devil's spawn between 11 p.m. and midnight on December 31, 1999. It's hard to decide who has the more thankless role--Robin Tunney as Satan's would-be bride, or Schwarzenegger as Jericho Cane, the burned-out alcoholic bodyguard assigned to protect the girl from Satan, billed as "The Man" and played with cheesy menace (and an inconsistent variety of metaphysical manifestations) by Gabriel Byrne.

With kitschy character names like Jericho and Chicago (Arnie's partner, played by Kevin Pollack) and lapses in logic that any 5-year-old could spot, End of Days is a loud, aggravating movie that would be entertaining if it were intended as comedy. But Schwarzenegger and director Peter Hyams approach the story as an earnest tale of redemption and tested faith, delivering a ridiculous climax full of special effects and devoid of dramatic impac! t. You're left instead to savor the verbal and physical sparri! ng betwe en Satan and Jericho, resulting in the most thorough pummeling Schwarzenegger's ever endured onscreen. Of course he eventually gets his payback, just in time for New Year's Eve. Perhaps he was touched by an angel. --Jeff ShannonAll hell breaks loose when Arnold Schwarzenegger battles the ultimate evil in this chilling supernatural action thriller. When Jericho (Schwarzenegger), a burned-out former New York City cop is assigned to security detail for a mysterious stranger (Gabriel Byrne), he thwarts an incredible assassination attempt. During the ensuing investigation, he and his partner (Kevin Pollak) save the life of the beautiful and terrified Christine York (Robin Tunney), whose destiny involves death, the devil and the fate of mankind. Now it's up to Jericho to save the girl, the world and his own soul as he comes face to face with his most powerful enemy ever!After a two-year hiatus that included recovery from heart surgery, Arnold Schwarzenegger returned to the ! big screen in November 1999 with End of Days, a Thanksgiving turkey if ever there was one. Overcooked and bloated with stuffing, this ludicrous thriller attached itself to the end-of-the-millennium furor that kicked in a year too early. A prologue begins in 1979 with panic in the Vatican when a comet signals the birth of a child who will, 20 years later, become the chosen bride of Satan, destined to conceive the devil's spawn between 11 p.m. and midnight on December 31, 1999. It's hard to decide who has the more thankless role--Robin Tunney as Satan's would-be bride, or Schwarzenegger as Jericho Cane, the burned-out alcoholic bodyguard assigned to protect the girl from Satan, billed as "The Man" and played with cheesy menace (and an inconsistent variety of metaphysical manifestations) by Gabriel Byrne.

With kitschy character names like Jericho and Chicago (Arnie's partner, played by Kevin Pollack) and lapses in logic that any 5-year-old could spot, End of! Days is a loud, aggravating movie that would be entertain! ing if i t were intended as comedy. But Schwarzenegger and director Peter Hyams approach the story as an earnest tale of redemption and tested faith, delivering a ridiculous climax full of special effects and devoid of dramatic impact. You're left instead to savor the verbal and physical sparring between Satan and Jericho, resulting in the most thorough pummeling Schwarzenegger's ever endured onscreen. Of course he eventually gets his payback, just in time for New Year's Eve. Perhaps he was touched by an angel. --Jeff Shannon

Lydia Lozen Magruderâ€"the great-granddaughter of a female Apache war-shamanâ€"has seen visions of the End since childhood. She has constructed a massive ranch-fortress in the American Southwest, stocked with everything necessary to rebuild civilization.

Now her visions are coming true. John Stone, once a baseball star and now a famous gonzo journalist, stumbled across a plan to blast humanity back to the stone age. Then he vanished. Lydiaâ€! ™s only hope of tracking him down lies with her stubborn, globe-trotting daughter, Kate, Stone’s former lover.

Kate is about to step right into the plotters’ crosshairs. Stone has been captured by a pair of twin Middle Eastern princesses, hell-bent on torturing him until he reveals all he knows.

Meanwhile, a Russian general obsessed with nuclear Armageddon has also disappeared...as have eight or more of his Russian subs, armed with nuclear-tipped missiles.

The world is armed for self-destruction.

Who will survive?

END OF DAYS All hell breaks loose when ARNOLD SCHWARZENEGGER battles the ultimate evil in this chilling supernatural action thriller. When Jericho (Schwarzenegger), a burned-out former New York City cop, is assigned to security detail for a mysterious stranger (GABRIEL BYRNE), he thwarts an incredible assassination attempt. During the ensuing investigation, he and his partner (KEVIN POLLAK) save the life of the beautiful an! d terrified Christine York (ROBIN TUNNEY), whose destiny invol! ves deat h, the devil and the fate of mankind. Now it's up to Jericho to save the girl, the world and his own soul as he comes face to face with his most powerful enemy ever! VIRUS Jamie Lee Curtis (Halloween, True Lies) plays the navigator of a tugboat crew that loses its cargo during a hurricane. In the calm eye of the storm, they come across a Russian research ship floating dead in the water. Boarding the vessel, they initially believe it to be deserted - but they soon realize they're not alone. First they discover a terrified survivor (Joanna Pacula, Tombstone); then they find that the ship has been taken over by a ruthless alien intelligence. Now the small band must fight for their lives against a force that has come to claim Earth for its own, and creates bio-mechanical monstrosities with one goal: eliminating the virus called humans.After a two-year hiatus that included recovery from heart surgery, Arnold Schwarzenegger returned to the big screen in November 1999 with End o! f Days, a Thanksgiving turkey if ever there was one. Overcooked and bloated with stuffing, this ludicrous thriller attached itself to the end-of-the-millennium furor that kicked in a year too early. A prologue begins in 1979 with panic in the Vatican when a comet signals the birth of a child who will, 20 years later, become the chosen bride of Satan, destined to conceive the devil's spawn between 11 p.m. and midnight on December 31, 1999. It's hard to decide who has the more thankless role--Robin Tunney as Satan's would-be bride, or Schwarzenegger as Jericho Cane, the burned-out alcoholic bodyguard assigned to protect the girl from Satan, billed as "The Man" and played with cheesy menace (and an inconsistent variety of metaphysical manifestations) by Gabriel Byrne.

With kitschy character names like Jericho and Chicago (Arnie's partner, played by Kevin Pollack) and lapses in logic that any 5-year-old could spot, End of Days is a loud, aggravating movie th! at would be entertaining if it were intended as comedy. But Sc! hwarzene gger and director Peter Hyams approach the story as an earnest tale of redemption and tested faith, delivering a ridiculous climax full of special effects and devoid of dramatic impact. You're left instead to savor the verbal and physical sparring between Satan and Jericho, resulting in the most thorough pummeling Schwarzenegger's ever endured onscreen. Of course he eventually gets his payback, just in time for New Year's Eve. Perhaps he was touched by an angel. --Jeff Shannon

Why is it that our current twenty-first century A.D. is so similar to the twenty-first century B.C.?
Is history destined to repeat itself? Will biblical prophecies come true, and if so, when?

It has been more than three decades since Zecharia Sitchin's trailblazing book The 12th Planet brought to life the Sumerian civilization and its record of the Anunnakiâ€"the extraterrestrials who fashioned man and gave mankind civilization and religion. In ! this new volume, Sitchin shows that the End is anchored in the events of the Beginning, and once you learn of this Beginning, it is possible to foretell the Future.

In The End of Days, a masterwork that required thirty years of additional research, Sitchin presents compelling new evidence that the Past is the Futureâ€"that mankind and its planet Earth are subject to a predetermined cyclical Celestial Time.

In an age when religious fanaticism and a clash of civilizations raise the specter of a nuclear Armageddon, Zecharia Sitchin shatters perceptions and uses history to reveal what is to come at The End of Days.


Ek Success Martha Stewart Glitter Multi Pack, 24 Per Pack

Bent: The Play

  • Published by Applause Books 80 Pages
  • The Play by Martin Sherman
  • Author: Martin Sherman
Renowned British stage director Sean Mathias directs Martin Sherman's "powerful and provocative" (The New York Times) screenplay about one man's struggle to maintain his dignity while imprisoned in a Nazi concentration camp. Featuring exceptional performances by Lothaire Bluteau (Black Robe), Clive Owen (Gosford Park), Brian Webber, Ian McKellen (The Lord of the Rings: TheFellowship of the Ring) and Mick Jagger, Bent will "grab filmgoers by the heart" (Rex Reed)! Max (Owen) is a handsome young man who, after a fateful tryst with a German soldier, is forced to run for his life. Pursued and captured, Max is placed in a concentration camp where he pretends to be Jewishbecause in the eyes of the Nazis, gays are the lowest form of human being. But it takes a forbidden relationship with an openly! gay prisoner to teach Max that without the love of another, life is not worth living.Bent debuted onstage in 1979 with Ian McKellen starring in the London production and Richard Gere in its later Broadway version. The film version is adapted by the playwright, Martin Sherman, and closely follows his play's story of two gay concentration camp victims who are sent to Dachau and who fall in love, using their relationship as an emotional crutch in their efforts to rebuff the horror of the Holocaust. Max (Clive Owen), would rather wear a yellow star and proclaim himself a Jew than be lanced with the pink triangle that designates homosexuality. Horst, (Lothaire Bluteau) chastises him for his homophobia. Later the tables turn on Max, who finds--through Horst--the strength both to keep alive indefinitely and to ultimately embrace his sexual identity.

Initially set in a war-ravaged Berlin, Bent is directed by Sean Mathias, who first directed Jude Law in Indiscretions, and he has crafted a film that reminds on! e of Ian McKellen's Richard III with its spare, stylized, and stark world bombed into rubble and chic theatrical disarray. There are many poignant as well as harrowing scenes, and the result is a somber work that stands as a reminder that intolerance cannot overtake individualism and love. While Bent received an NC-17 rating for depicting Berlin's decadent, anything-goes-for-a-price nightlife, MGM opted not to edit out the tone-setting prelude and pushed to preserve the film's integrity despite a rating that is itself a kind of death for any film that bears it. --Paula NechakMartin Sherman's worldwide hit play Bent took London by storm in 1979 when it was first performed by the Royal Court Theatre, with Ian McKellen as Max (a character written with the actor in mind). The play itself caused an uproar. "It educated the world," Sherman explains. "People knew about how the Third Reich treated Jews and, to some extent, gypsies and political prisoners. But ver! y little had come out about their treatment of homosexuals." Gays were arrested and interned at work camps prior to the genocide of Jews, gypsies, and handicapped, and continued to be imprisoned even after the fall of the Third Reich and liberation of the camps. The play Bent highlights the reason why - a largely ignored German law, Paragraph 175, making homosexuality a criminal offense, which Hitler reactivated and strengthened during his rise to power.

Dolphins and Whales 3D: Tribes of the Ocean Poster Movie French 11x17 Daryl Hannah

Big Kahuna Reef [Download]

Georgia Rule (Full Screen Edition)

  • Condition: New
  • Format: DVD
  • AC-3; Color; Dolby; Dubbed; DVD; Full Screen; Subtitled; NTSC
No Description Available.
Genre: Feature Film-Comedy
Rating: R
Release Date: 4-SEP-2007
Media Type: DVD When three generations of women collide, it isn't always pretty. In Georgia Rule, Lindsay Lohan (Mean Girls) stars as Rachel, a wild child whose mother Lilly (Felicity Huffman, Desperate Housewives) ships her off to Idaho to be tamed by Georgia (Jane Fonda, On Golden Pond)--Lilly's own cantankerous mom. There, 17-year-old Rachel shocks the conservative community with her short shorts, eager sexuality (which she plies on everyone from 12-year-old boys to unsophisticated, but hot, Mormon neighbors), and her tales of possible sexual abuse at the hands of her somewhat slimy stepfather (Cary Elwes, The Princess Bride).! As directed by Garry Marshall (Beaches, Pretty Woman), Georgia Rule is a flawed chick flick where the women are tolerable but not particularly likeable. The characters we want to know more about are the peripheral ones we don't see enough of--the men. Simon (Dermot Mulroney), the kindly (and sexy) veterinarian who was once madly in love with Lilly, in many ways is the film's moral compass. A widower whose wife and son died tragically in an accident, Simon would've made a more compelling movie subject than these women. And for all his latent pining for Lilly, the moviegoer feels relieved for him that dodged a bullet by not marrying into this dysfunctional family. While the female leads aren't quite believable as mother, daughter, and grandmother, they all have strong moments in the film that save it from being a groaning mess. While Lohan doesn't exhibit the charm she displayed in Mean Girls, she more than holds her own in parts with the scene-st! ealing Fonda, who is quite good at chewing up the scenery. ! --Jae-Ha Kim
web log free