Monday, November 14, 2011

The Greatest Game Ever Played

  • ISBN13: 9780399241710
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
This narrative chronicles the birth of the modern game of golf through the story of Harry Vardon and Francis Ouimet. These men, in pursuit of their passion for a sport that had captivated them since childhood, lifted themselves out of their lives of common poverty and broke down rigid social barriers, transforming the game of golf into one of the most widely played sports in the world today. Vardon and Ouimet were two men from different generations and vastly different corners of the world whose lives, unbeknown to them at the time, bore remarkable similarities, setting them on parallel paths that led to their epic battle at Brookline in the 1913 US Open. This collision resulted in the "big bang" tha! t gave rise to the sport of golf as we know it. In this book, Mark Frost tells their story, including along the way over a dozen of the game's seminal figures, within the dramatic framework offered by the 1913 tournament where they finally met, which became one of the most thrilling sports events in history.Studio: Buena Vista Home Video Release Date: 03/29/2011 Rating: PgYou wouldn't think a movie that uses the game of golf as a metaphor for class struggle could be so entertaining. The Greatest Game Ever Played stars the charming Shia LaBeouf (Holes) as Francis Ouimet, a golfer who, in 1913, rose from caddy to U.S. Open champion at the age of 20--despite the resistance of the powers that be, who thought it unseemly for a lower-class plebian to play the sport of gentlemen. Ouimet's main competitor is Harry Vardon (Stephen Dillane, The Hours), a British professional, still considered one of the greatest players of all time, who fought his own class bat! tles. The two go head to head in a genuinely gripping match, d! eftly ba lanced against the juxtapositions of their personal struggles. Is it sentimental and formulaic? Is the outcome a foregone conclusion? Yes, but it doesn't matter--formulas exist because, when executed with verve and dexterity, they work. Bill Paxton, best known as an actor (One False Move, Apollo 13), steps into the director's chair and hits all the right notes, aided by an excellent cast playing colorful characters, a vivid recreation of the time period, glowing cinematography, and an expert pace. The Greatest Game Ever Played works. --Bret Fetzer

The 1958 NFL championship game is known to football fans as the "Greatest Game Ever Played." Featuring gridiron legends like Johnny Unitas, Frank Gifford, and Vince Lombardi, the Game marked the beginning of America’s infatuation with professional football.

Now, Phil Bildner tells a heartwarming father-and-son story against the backdrop of this historic moment.When the New York Giants! baseball team moves to San Francisco, young Sam discovers the other New York Giantsâ€"the football Giants. He convinces his skeptical Pop to come with him to the Game, and as Johnny Unitas engineers Baltimore’s legendary comeback, Sam and Pop rediscover the joy of rooting on their heroes together.

Day Watch / Dnevnoy Dozor - (PAL/R5 - Russian Import)

Funny People (Two-Disc Unrated Collector's Edition)

  • Actors: Adam Sandler, Seth Rogen, Leslie Mann, Eric Bana, Jason Schwartzman.
  • Format: AC-3, Color, Dolby, Dubbed, DVD, Special Edition, Subtitled, Widescreen, NTSC.
  • Language: English. Subtitles: English, French, Spanish.
  • Region: Region 1 (U.S. and Canada only).
  • Run Time: 146 minutes. Not Rated.
Adam Sandler, Seth Rogen and Leslie Mann star in this seriously funny film from writer-director Judd Apatow (The 40-Year-Old Virgin and Knocked Up). When famous comedian George Simmons (Sandler) is given a second chance at a new beginning, he and his assistant, a struggling comedian, Ira (Rogen), return to the places and people that matter most…including the stand-up spots that gave him his start and the girl that got away (Mann). Co-starring Jonah Hill, Eric Bana and Jason Schwartzman, it’s the film critics cheer is “uproariously funny!” (Sonny Bunch, The! Washington Times)Funny People pulls off quite a feat: it examines the sources of comedy and manages to be knockout funny. Adam Sandler plays George Simmons, a successful comedian of Adam Sandler proportions who is diagnosed with a fatal blood disease. Faced with impending death, he recognizes that he has no friends and decides to make a best friend out of an aspiring young comedian named Ira (Seth Rogen, Knocked Up). This lopsided relationship gradually takes on aspects of true friendship as Ira forces George to try to reconnect with the people in his life, including his ex-girlfriend Laura (Leslie Mann, 17 Again). But forging real relationships conflicts with all the impulses that feed George’s comedy: can he truly re-create his life? Funny People has enough raw, no-inhibitions comedy to satisfy Sandler fans, but the core of the movie is far more complex and compelling--and significantly, Sandler rises to it. He, Rogen, and Mann all de! liver superb performances, as does the supporting cast (includ! ing Jona h Hill, Superbad; Jason Schwartzman, Rushmore; and Eric Bana, Munich). Funny People fits into the ranks of such classics as Hannah and Her Sisters andTerms of Endearment: movies that blend sadness and joy into a vibrant picture of life. --Bret FetzerAdam Sandler, Seth Rogen and Leslie Mann star in this seriously funny film from writer-director Judd Apatow (The 40-Year-Old Virgin and Knocked Up). When famous comedian George Simmons (Sandler) is given a second chance at a new beginning, he and his assistant, a struggling comedian, Ira (Rogen), return to the places and people that matter most…including the stand-up spots that gave him his start and the girl that got away (Mann). Co-starring Jonah Hill, Eric Bana and Jason Schwartzman, it’s the film critics cheer is “uproariously funny!” (Sonny Bunch, The Washington Times)Funny People pulls off quite a feat: it examines the sources of comedy and manages to b! e knockout funny. Adam Sandler plays George Simmons, a successful comedian of Adam Sandler proportions who is diagnosed with a fatal blood disease. Faced with impending death, he recognizes that he has no friends and decides to make a best friend out of an aspiring young comedian named Ira (Seth Rogen, Knocked Up). This lopsided relationship gradually takes on aspects of true friendship as Ira forces George to try to reconnect with the people in his life, including his ex-girlfriend Laura (Leslie Mann, 17 Again). But forging real relationships conflicts with all the impulses that feed George’s comedy: can he truly re-create his life? Funny People has enough raw, no-inhibitions comedy to satisfy Sandler fans, but the core of the movie is far more complex and compelling--and significantly, Sandler rises to it. He, Rogen, and Mann all deliver superb performances, as does the supporting cast (including Jonah Hill, Superbad; Jason Schwartzman, Ru! shmore; and Eric Bana, Munich). Funny People! fits i nto the ranks of such classics as Hannah and Her Sisters andTerms of Endearment: movies that blend sadness and joy into a vibrant picture of life. --Bret FetzerAdam Sandler, Seth Rogen and Leslie Mann star in this seriously funny film from writer-director Judd Apatow (The 40-Year-Old Virgin and Knocked Up). When famous comedian George Simmons (Sandler) is given a second chance at a new beginning, he and his assistant, a struggling comedian, Ira (Rogen), return to the places and people that matter most…including the stand-up spots that gave him his start and the girl that got away (Mann). Co-starring Jonah Hill, Eric Bana and Jason Schwartzman, it’s the film critics cheer is “uproariously funny!” (Sonny Bunch, The Washington Times)Funny People pulls off quite a feat: it examines the sources of comedy and manages to be knockout funny. Adam Sandler plays George Simmons, a successful comedian of Adam Sandler proportions who is diagnosed! with a fatal blood disease. Faced with impending death, he recognizes that he has no friends and decides to make a best friend out of an aspiring young comedian named Ira (Seth Rogen, Knocked Up). This lopsided relationship gradually takes on aspects of true friendship as Ira forces George to try to reconnect with the people in his life, including his ex-girlfriend Laura (Leslie Mann, 17 Again). But forging real relationships conflicts with all the impulses that feed George’s comedy: can he truly re-create his life? Funny People has enough raw, no-inhibitions comedy to satisfy Sandler fans, but the core of the movie is far more complex and compelling--and significantly, Sandler rises to it. He, Rogen, and Mann all deliver superb performances, as does the supporting cast (including Jonah Hill, Superbad; Jason Schwartzman, Rushmore; and Eric Bana, Munich). Funny People fits into the ranks of such classics as Hannah and H! er Sisters andTerms of Endearment: movies that blen! d sadnes s and joy into a vibrant picture of life. --Bret Fetzer

Cheri

  • Brand new DVD
Stephen Frears… makes thoroughly professional and immensely entertaining stories that pay particular attention to characters, their flaws, emotions and deepest desires. In Cheri, he has another dandy.  The chemistry between Pfeiffer and Friend is positively combustible. One feels the hunger in each, the rising physical passion and emotional vulnerability in two people who, if asked, would scorn love as a human weakness.

Darius Khondji’s mood-catching cinematography, Consolata Boyle’s eye-catching costumes and Alan MacDonald’s gorgeous sets are all entertainment in themselves. But the greatest contribution comes from composer Alexandre Desplat whose nostalgic, romantic, melancholy score evokes the period perfectly.
                                                                  !                                           - Kirk Honeycutt, The Hollywood Reporter

Filled with luxurious gowns and lush grounds, Stephen Frears's Colette adaptation depicts an affair too perfect to last. Parisian courtesan Lea de Lonval (Michelle Pfeiffer) retains her good looks and has invested her earnings wisely, so her colleague, Madame Peloux (Kathy Bates), persuades Lea to celebrate the inception of her retirement by teaching the Madame’s self-centered son, Chéri (Rupert Friend, recalling T.Rex's tousle-haired Marc Bolan), how to treat a lady. Lea, who has known Chéri his entire life, has genuine affection for the unformed lad, although, as she quips, "I can't criticize his character, mainly because he doesn't seem to have one." To her surprise, their weekend in Normandy turns into a six-year-relationship. Then, Madame Peloux announces that she has found an appropriate 18-year-old bride for her now-reformed 25-ye! ar-old boy. Afraid to admit the depth of their feelings for ea! ch other , the duo grudgingly goes along with the plan since Belle Époque society demands that a proper gentleman marry a proper lady, and Lea realizes that matrimony to a man half her age isn't an option. But real love--even the co-dependent kind--can't be banished quite so easily as a bad habit. Frears and Oscar-winning screenwriter Christopher Hampton, adapting Chéri and The Last of Chéri, previously collaborated with Pfeiffer on Dangerous Liaisons, but their reunion is a comparatively somber affair that comes recommended more for fans of the actress, who gives the role her all, than for fans of the filmmaker, whose direction feels perfunctory, particularly during the blink-and-you'll-miss-it epilogue. --Kathleen C. Fennessy

17" Macbook Goldfish Sleeve

  • Polished gold koi scales tightly wrap the 'Goldfis
  • computer-notebook-backpacks
  • 17" Macbook Goldfish Sleeve
  • GFMF17
Goldfish Memory is a light-hearted look at the dangers and delights of dating in contemporary Dublin. When Clara sees her boyfriend kissing Isolde, it sets off a chain reaction of romances and heartbreaks until the entire cycle has turned full-circle, with each character trying to solve the pressing question of what is the perfect relationship! Some favor marriage, others a week-at-a-time arrangement. The only thing they can all agree on is that love is the one thing we cannot live without. Falling in love, out of love and making the same mistakes all over again - all of us say we learn from heartbreak, but how many of us really change? And do we really want to? Packaged with CD.This is music from the critically acclaimed motion picture--a romantic comedy! about the dangers and delights of dating in contemporary Dublin, written and directed by Liz Gill. Includes new and previously unreleased songs by Damien Rice, Lisa Hannigan, The Frames, Sinead Lohan, and The Walls.

Day One
I swam around my bowl.

Day Two
I swam around my bowl. Twice.

And so it goes in this tell-all tale from a goldfish.

With his bowl to himself and his simple routine, Goldfish loves his life…until one day…

When assorted intruders including a hyperactive bubbler, a grime-eating snail, a pair of amorous guppies, and a really crabby crab invade his personal space and bowl, Goldfish is put out, to say the least. He wants none of it, preferring his former peace and quiet and solitude.

But time away from his new companions gives him a chance to rethink the pros and cons of a solitary life. And discover what he’s been missing.

Polished gold koi scales tightly wrap the ?Goldfish? memory foa! m sleeve. The sleeve's interior is inlayed with fine black vel! our and will be outfitted with custom molded steel zipper tabs tailored specifically for the "Goldfish" model. The hand-sewn patch on the cover will be Isis' latest logo for Spring 2008.

Bringing Down The House (Full Screen Edition)

  • The hilarious Steve Martin (FATHER OF THE BRIDE) and Academy Award(R)-nominee Queen Latifah (Best Supporting Actress, 2002, CHICAGO) star with Eugene Levy (AMERICAN PIE) in the laugh-out-loud hit comedy BRINGING DOWN THE HOUSE. Peter Sanderson (Martin), a divorced, straitlaced, uptight workaholic attorney, meets a brainy bombshell lawyer in an on-line chat room and they make a date. Expecting his
The long-running New York Times bestseller that has become a cultural phenomenon, Bringing Down the House is an action-filled caper carried out by the unlikeliest of cons -- supersmart geeks. Gambling pervaded the M.I.T. campus, and genius kids with money and glittering futures were just as likely to be found in a Paradise Island casino as in the school library. A highly elite group of mathletes was recruited to join The Club, a small, secret blackjack organization dedicated to counting! cards and beating the major casinos across the nation at their own game. As a successful ring of card savants, backed by a mysterious ringleader and shadowy investors, they infiltrated Vegas and won millions.

The Boston Herald acclaimed it as "a suspenseful tale that portrays the players as Davids going up against Goliaths." And Bill Simmons of ESPN magazine exclaimed, "This book made me want to gamble! Vegas! Vegas!" Filled with tense action, high stakes, and incredibly close calls, Bringing Down the House is a nail-biting chronicle of a real-life Ocean's Eleven. It's one story that Vegas does not want you to read.The hilarious Steve Martin (FATHER OF THE BRIDE) and Academy Award(R)-nominee Queen Latifah (Best Supporting Actress, 2002, CHICAGO) star with Eugene Levy (AMERICAN PIE) in the laugh-out-loud hit comedy BRINGING DOWN THE HOUSE. Peter Sanderson (Martin), a divorced, straitlaced, uptight workaholic attorney, meets a brainy bombshel! l lawyer in an on-line chat room and they make a date. Expecti! ng his s oul mate, he opens the door and finds himself face-to-face with Charlene (Latifah) -- a wild and crazy soul "sister" who's just escaped from prison and wants Peter to clear her name. But Peter wants absolutely nothing to do with her, and that prompts Charlene to turn Peter's perfectly ordered life totally upside down. Hysterical complications abound and Peter soon finds out he may need Charlene just as much as she needs him. It's a houseful of fun your family will enjoy again and again.The pleasingly contrasting comic styles of Queen Latifah and Steve Martin bring some energy to Bringing Down the House, a hopelessly formulaic comedy. Martin plays Peter, an uptight lawyer too obsessed with work to spend quality time with his kids. Into his life comes Queen Latifah as Charlene, an escaped convict who threatens to wreck his relationship with a wealthy but arch-conservative client (Joan Plowright, in high dudgeon) if Peter won't take up her case. Of course, Latifah's exu! berant ways enchant his kids and bring out a looser, livelier side of Peter, all in a series of scenes so standard they hardly register. Thank goodness for Eugene Levy; as one of Peter's law partners with a taste for Charlene's bodacious brand of sexy, Levy's ingenious transformation from nebbish to loverman is the movie's secret weapon, stealthily planting comic explosions amidst the modest rice-krispie-crackle of the stale plot. --Bret Fetzer

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