From Justin to Kelly
- Widescreen
Bunny Williams is renowned for her glamorous design and attenÂtion to every little detail in her clientsâ homes. Using her incredible knowledge of design and decor, and drawing on her wealth of experience, Williams takes the re! ader through several homes room by room, showing creative ways! to orga nize and add personal touches. From dining rooms (place a chest of drawers near the dining table to store flatware, napkins, place mats, and votives) to lighting (place sconces on the wall at eye level to cut the glare from ceiling lights), and pets (find interesting flat-bottom bowls for waterâ"small Chinese fish bowls or the bottom of a porcelain tureen work perfectly!), Williams empowers the reader with her practical and inspiring tips for making a house a home.
Praise for Bunny Williams' Scrapbook for Living:Â
"chock full of beautiful, instructive pictures . . . many nuggets of practical advice"Â
-- The New York TimesÂ
Co-written by the team of David S. Goyer (a veteran comic book writer) and director Christopher Nolan (Memento), Batman Begins is a welcome return to the grim and gritty version of the Dark Knight, owing a great debt to the graphic novels that preceded it. It doesn't have the razzle dazzle, or the mass appeal, of Spider-Man 2 (though the Batmobile is cool), and retelling the origin means it starts slowly, like most "first" superhero movies. But it's certainly the best Bat-film since Burt! on's original, and one of the best superhero movies of its tim! e. Bale cuts a good figure as Batman, intense and dangerous but with some of the lightheartedness Michael Keaton brought to the character. Michael Caine provides much of the film's humor as the family butler, Alfred, and as the love interest, Katie Holmes (Dawson's Creek) is surprisingly believable in her first adult role. Also featuring Gary Oldman as the young police officer Jim Gordon, Morgan Freeman as a Q-like gadgets expert, and Cillian Murphy as the vile Jonathan Crane. --David Horiuchi
Paris, 1937. Andras Lévi, a Hungarian-Jewish architecture student, arrives from Budapest with a scholarship, a single suitcase, and a mysterious letter he promised to deliver. But when he falls into a complicated relationship with the letter's recipient, he becomes privy to a secret that will alter the course of hisâ"and his familyâsâ"history.
From the small Hungarian town of Konyár to the grand opera houses of Budapest and Paris, from the despair of Carpathian winter to an unimaginable life in labor camps, The Invisible Bridge tells the story of a family shattered and remade in historyâs darkest hour.
Amazon Best Books of the Month, May 2010: Even if thi! s weren't her first novel, Julie Orringer's Invisible Bridge would be a marvelous achievement. Orringer possesses a rare talent that makes a 600-page story--which, we know, must descend into war and genocide--feel rivetingly readable, even at its grimmest. Building vivid worlds in effortless phrases, she immerses us in 1930s Budapest just as a young Hungarian Jew, Andras Lévi, departs for the Ãcole Spéciale d'Architecture in Paris. He hones his talent for design, works backstage in a theater, and allies with other Jewish students in defiance of rising Nazi influence. And then he meets Klara, a captivating Hungarian ballet instructor nine years his senior with a painful past and a willful teenage daughter. Against Klara's better judgment, love engulfs them, drowning out the rumblings of war for a time. But inevitably, Nazi aggression drives them back to Hungary, where life for the Jews goes from hardship to horror. As in Dr. Zhivago, these lovers can't escape his! tory's merciless machinery, but love gives them the courage to! endure. --Mari MalcolmBesides the Supremes comparison, one can't talk about Dreamgirls now without revisiting its notorious Oscar snub; though it received ! eight nominations, the most for any film from 2006, it was shut out of the Best Picture and Director races entirely. Was the oversight justified? While Dreamgirls is certainly a handsomely mounted, lovingly executed and often vibrant film adaptation, it inspires more respect than passion, only getting under your skin during the musical numbers, which become more sporadic as the film goes on. Writer-director Bill Condon is definitely focused on recreating the Motown milieu (down to uncanny photographs of Knowles in full Diana Ross mode), he often forgets to flesh out his characters, who even on the Broadway stage were underwritten and relied on powerhouse performances to sell them to audiences. (Stage fans will also note that numerous songs are either truncated or dropped entirely from the film.) Condon has assembled a game cast, as Knowles does a canny riff on the essence of Diana Ross' glamour (as opposed to an all-out impersonation) and Rose makes a peripheral char! acter surprisingly vibrant; only Foxx, who never gets to pour ! on the c harisma, is miscast. Still, there are two things even the most cranky viewers will warm to in Dreamgirls: the performances of veteran Eddie Murphy and newcomer Jennifer Hudson. Murphy is all sly charm and dazzling energy as the devilish Early, who's part James Brown, part Little Richard, and all showman. And Hudson, an American Idol contestant who didn't even make the top three, makes an impressive debut as the larger-than-life Effie, whose voice matches her passions and stubbornness. Though she sometimes may seem too young for the role, Hudson nails the movie's signature song, "And I Am Telling You I'm Not Going," with a breathtaking power that must be seen and heard to believe. And for those five minutes, if not more, you will be in Dreamgirls' thrall. --Mark Englehart
Beyond Dreamgirls
| Other Musicals on DVD | More Motown on DVD | The Soundtrack |